Despite the longevity of animation and its significance within the history of cinema, film theorists have focused on live-action motion pictures and largely ignored hand-drawn and computer-generated movies. Thomas Lamarre contends that the history, techniques, and complex visual language of animation, particularly Japanese animation, demands serious and sustained engagement, an...(展开全部)

Presents a foundational theory of animation and what it reveals about our relationship to technology Despite the longevity of animation and its significance within the history of cinema, film theorists have focused on live-action motion pictures and largely ignored hand-drawn and computer-generated movies. Thomas Lamarre contends that the history, techniques, and complex visual...(展开全部)

Presents a foundational theory of animation and what it reveals about our relationship to technology Despite the longevity of animation and its significance within the history of cinema, film theorists have focused on live-action motion pictures and largely ignored hand-drawn and computer-generated movies. Thomas Lamarre contends that the history, techniques, and complex visual...(展开全部)

In this innovative work, Łukasz Stanek frames a uniquely contextual appreciation of Henri Lefebvre’s idea that space is a social product. Stanek explicitly confronts both the philosophical and the empirical foundations of Lefebvre’s oeuvre, especially his direct involvement in the fields of urban development, planning, and architecture. Countering the prevailing view, which red...(展开全部)

Traditional Japanese architecture--whether Buddhist temples or Shinto shrines, residences, castles, or teahouses--has become increasingly familiar around the world. Through the media of motion pictures, art books, T.V. documentaries and dramas such as Shogun, as well as through personal experience, more and more people have gained an acquaintance and appreciation of the archite...(展开全部)

Computers have changed since 1981, when Tracy Kidder memorably recorded the drama, comedy, and excitement of one companys efforts to bring a new microcomputer to market. What has not changed is the feverish pace of the high-tech industry, the go-for-broke approach to business that has caused so many computer companies to win big (or go belly up), and the cult of pursuing mind-b...(展开全部)

Computers have changed since 1981, when Tracy Kidder memorably recorded the drama, comedy, and excitement of one companys efforts to bring a new microcomputer to market. What has not changed is the feverish pace of the high-tech industry, the go-for-broke approach to business that has caused so many computer companies to win big (or go belly up), and the cult of pursuing mind-b...(展开全部)